All copies are checksum verified, that means users get exact bit for bit digital copies of their source media. The new DaVinci Resolve Clone tool copies media drives, memory cards and camera packs to multiple destinations simultaneously. DaVinci Resolve 11 solves the single frame limitations of photo enhancement systems and gives photographers advanced control over RAW images so they can pull the maximum detail from high dynamic range footage in real time.Īdding to DaVinci Resolve’s powerful on set tools, DaVinci Resolve 11 can now securely back up and save digital camera files. The new camera RAW palette features highlight and shadow recovery, mid tone detail, color boost, saturation, lift, gain and contrast. DaVinci Resolve 11 also includes support for ProRes 4444 XQ, the highest-quality version of ProRes that is designed to maintain the detail of high-dynamic-range video through rigorous post-production.Ĭolor correction features have also been upgraded in DaVinci Resolve 11, including all new RAW image and color grading controls that are designed for photographers who are moving into cinematography. This is an exciting workflow that makes it possible to allow independent filmmakers to integrate with the largest post production facilities.
A powerful example of this integration is when a Final Cut Pro X customer might be shooting an independent film but then wants to move their edit to a large Hollywood post production facility for color grading and finishing.
This is possible because more of the features in each application are compatible so projects can be moved back and forward easily. One of the most exciting advantages of the enhanced editing features in DaVinci Resolve 11 is the dramatically better round trip collaboration with Final Cut Pro X.
Sharing the same timeline makes it much easier for creative teams to stay in sync and work faster on large complex jobs such as feature films and television programming.
Each user can see the timeline update so they are all working on the same job at the same time. An example is a colorist could be color grading or tracking windows while another colorist fine tunes grades that are all immediately updated as the editor edits. The new collaborative workflow tools in DaVinci Resolve 11 allows an editor and multiple colorists to work on different workstations, sharing the same timeline and working in tandem as they complete shots. Editors can now also add and animate Open FX plugins directly in the timeline as well as use plug-ins for transitions. This makes editing super fast because time is not wasted switching tools and clips can be trimmed on multiple tracks simultaneously in the same direction, or asymmetrically.ĭaVinci Resolve 11 features a new spline curve keyframe editor integrated into the edit timeline that positions keyframes directly under each clip and in context with the clip. Trimming tools are context sensitive, which means DaVinci Resolve automatically knows whether editors want to ripple, roll, slip, slide, extend or shorten edits, based on the position of the mouse.
With DaVinci Resolve 11, editors now have dual monitor support and familiar professional tools like dynamic JKL trimming, audio crossfades and fully customizable keyboard shortcuts for faster editing. The new DaVinci Resolve 11 has over 70 new editing features based on feedback from professional editors. This new update includes professional nonlinear video editing with context sensitive trimming tools, onset file cloning, a revolutionary new ColorMatch feature, photographer style color grading tools and an amazing new collaborative workflow that allows multiple users to work simultaneously on the same timeline.
DaVinci Resolve 11 is a major upgrade with over 100 new editing and color grading features. Blackmagic Design today announced the release of DaVinci Resolve 11, available now for download free of charge for all existing DaVinci Resolve customers.